We live in a culture that disconnects us from our roots. True belonging, to your people, is not profitable. It is far more lucrative to keep us fragmented, seeking a sense of home in things we can buy than in our own blood. Remembering who we are and where we come from is a radical refusal to remain numb.

Ancestor work is the intentional practice of turning toward our lineages with an open heart and compassionate curiosity. When we feed our hungry ghosts we transform patterns and claim the wisdom of our stories.

This is a creative, deeply personal container designed to help you reclaim and process what you have inherited — no matter how painful — to turn it into beauty.

Ancestor Work

May all our ancestors’ pain and beauty be metabolized into the art that is our lives.

Who is this work for?

Maybe a box of photos gathering dust in your basement brought you here…

or a suspicion of untold family stories

or a yearning for roots and belonging

or a dead end with traditional therapy

or a reoccurring dream…

This work is for anyone curious about who they are and where they come from. You do not have to already know a lot of information about your ancestors to begin. I’m excited to meet you wherever you are. An open mind and willingness to go to tender places helps this work be as meaningful as possible.

This cyanotype is of a photo of my great grandmother in drag in front of a laundromat in Chicago, holding her best friend (early 1900s). We know she was later institutionalized at Dunning, an infamous asylum.



How I arrived at this work

In middle school, I started scanning people’s family photos. Digitizing is monotonous labor, but sometimes I’d also get paid to create family photo albums with these newly digitized ancestors. Even though they weren’t my ancestors, I felt they were aware of me, thanking me for paying attention to them.

Around this time, I discovered the many shared traits and interests I had with my own maternal grandfather — who I never met in flesh. We both collected elephants and loved film photography. My mother never spoke of him, so of course I became deeply fascinated with how one could be so similar to someone they’d never met.

In Fall 2022, I spent two months with Aurora Levins Morales on her ancestral farm lands in Puerto Rico. What pulled me there was a need for deep rejuvenation and an honest hard look at wasn’t working in my life — ancestral patterns and addictions that kept me trapped in cycles of burnout, anxiety, and depression.

What can this work look like?

This work is customizable to your interests and needs. For example, I’ve supported people by:

  • facilitating group workshops

  • holding supportive emotional space

  • conducting genealogical research

  • digitizing family photos

  • designing family history / photo books

  • creating altars and writing rituals

I like to begin by exploring your intentions and goals. Our work can be in the emotional, spiritual realm, and/or I can bring it into form through creating physical objects.

Sessions may incorporate any of the following:

  • archive digging + research

  • deep listening + conversational, somatic guidance

  • creative writing / drawing prompts

  • working with dreams + archetypes

  • guided meditation, visualization, and movement

  • altar building

  • energy work

Sacred objects I can create for you and your loved ones:

  • Family history / photo books

  • Cyanotype collage portraits

  • Fabric pocket altars

How much does it cost?

To make this work accessible, all my rates are sliding scale.

  • Session: $40-100 per hour

  • Photo digitization: 25-50 cents per photo

  • Book design: $200-2,500 flat project fee (depending on length) + printing costs

Always happy to have a free call to see if this work is the right fit.

Inquire about a project >

Off-grid in the mountains of PR, I had the slowness to reconnect with my body and the land. The more grounded I became, the quieter my mind — quiet enough to hear my ancestors speak through poetry. After my time with Aurora, I understood why there were so many stories intentionally buried by my people and why ancestral reconnection is one of the necessary steps towards healing our culture and planet.

So I started my own ancestral writing rituals, which led to the creation of two books, one devoted to each side of my lineage: True Image (maternal) and Family of Goofy Bodies (paternal). I’m excited to create containers for others to do this work because I know how lonely and heavy it can feel in a culture that doesn’t value it. The immensity of the cultural and ecological griefs we face now can only be held communally.

Learn more about my lineage >

Testimonials

  • Carolyn Williams

    "A few years ago, I inherited dozens of family Memorial/Funeral cards from my older sister. She had been saving them for decades. They typically include a photo of the deceased and a brief biography. My sister passed these on to me, as well as some old family photos dating back to our grandparents. I wanted to create a family history photo book to pass onto my children and nieces and nephews.

    Veronica thoughtfully organized the Funeral cards and corresponding family photos into a wonderful book tracing my family’s history and that of my mother and my father. Now I could send each person their own copy, including my sister.

    As I told Veronica, not only has this photo book given me so much pleasure, but my sister, too. She passed away in 2017, and her copy of the photo book was given me to me as a keepsake. I could see that the spine of the book was pressed flat because she had read it so often. How happy that made me.

    Veronica was careful and respectful of these treasures. Working with her was a gift!"

  • Anonymous, Teacher

    “Veronica has been an instrumental force in my journey to love, forgive, and fully inhabit the stories that have shaped me. I always leave our conversations feeling more connected and creative — knowing my ancestors are right here with me in this work.

    I invited her to visit my classroom and facilitate a session on poetry as ancestral dialogue. She guided the children in a visualization practice, and we were both moved by how intuitively they responded — how deeply they learned, in just one class, to listen to their ancestors.

    Veronica takes the time to know people’s stories well, and she treats them with care, curiosity, and respect. She understands this work is deeply personal and quietly revolutionary.”

FAQ